Wolf eel adaptations tv#

Get any group of divers together in the Pacific Northwest and ask them what makes a really GREAT dive, and invariably one of the things they will agree on is that a wolf-eel will somehow be involved. The Ugly Old Man of the Sea: The Wolf-Eel I scaled it down for publishing in Northwest Dive News (NWDN), in which it appeared in the August 2005 issue. A longer article appeared in Advanced Diver magazine (ADM) issue # 14. It struck me that the best means of answering his question would be to post the text of an article I wrote regarding wolf-eel biology and life cycle. I posted another shot of a juvenile wolf-eel on the club gallery that appears here:Д¬alvin asked me a question regarding wolf-eel 'parenting' after hatching. A dive becomes special the moment I spot one!Д¬alvin and Nailer have recently posted some great footage and a still photo of a juvenile wolf-eel. Sometimes that works usually it doesnвЂ™t.Wolf-eels simply intrigue me.they always have. Further evidence that major networks are usually followers, not leaders. Just as Mad MenвЂ™s popularity and critical acclaim did not transfer automatically to other 1960s period dramas with thin plots, like Pan Am and The Playboy Club, among others. I assume NBC thought they could jump on the вЂњRussian spy storyвЂќ bandwagon, but itвЂ™s not as simple as that. In this case, it seems it was less about trying to create a quality show and more about trying to capitalize on the critical praise heaped on The Americans.

The recent attempt to adapt Israeli program, The Gordin Cell, into a spy thriller, Allegiance, did not work at all. Taking inspiration from an Israeli source does not always work вЂ“ most likely when major American networks get their claws into the idea. Maybe not enough, though, because the show did not last.

You would not imagine that a show in which two people sit, talk and engage in what are fairly realistic therapy sessions would draw you in. It only lasted for two seasons, but it was engaging in a way that most shows are not. The Israeli original was called BвЂ™tipul and introduced the concept of showing one episode nightly вЂ“ each one representing one patientвЂ™s appointment, i.e. Each night of the week, he would see a patient and on the last night of the week, he would see his own therapist ( Dianne Wiest). In it, Gabriel Byrne played a therapist and patient.

Wolf eel adaptations tv#

It feels like a human story, much more than the edgy thriller Homeland aspires to be.Д«ut Israeli TV has also offered up some adapted gems, such as the little-watched and often frustrating (in a good way) In Treatment. I am a bigger fan of Hatufim, even if it suffers from very different production values. It is loosely based on Israeli program Hatufim ( Prisoners of War), which is considerably more complex than Homeland. Only when the US started to use the concept but not the play-by-play sameness did the US version of The Office find its voice вЂ“ and become its own show. When the US made its own version, it started off slowly and tried to make a scene-by-scene copy of the original.

The original UK version of The Office lasted only two glorious seasons. That said, just because you can watch a remake does not mean you should avoid the original. The UK and US bat their respective shows across the Atlantic to make and remake like so many shuttlecocks, but adaptations from further afield are beginning to inspire. Americans (or anyone, really) grabbing onto an existing show вЂ“ and either bastardizing it (which in television is more like stealing a scene-for-scene replay without adaptation or creativity or even cultural consideration) or redirecting it not for the better but maybe for greater perspective on a similar theme вЂ“ is nothing new. Homeland is probably the only well-known reimagining of an original Israeli TV program.